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	<title>Eventus</title>
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	<link>http://www.eventus.org.uk</link>
	<description>A social enterprise</description>
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		<title>Retail not wholesale</title>
		<link>http://www.eventus.org.uk/2012/02/retail-not-wholesale/</link>
		<comments>http://www.eventus.org.uk/2012/02/retail-not-wholesale/#comments</comments>
		<pubDate>Tue, 21 Feb 2012 10:47:57 +0000</pubDate>
		<dc:creator>Clare</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Strategic Commissioning]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=1054</guid>
		<description><![CDATA[Many arts organisations and artists have been grant funded to work with vulnerable groups.  As social care and health budgets change to personal budgets where the individual decides where and what to spend their money on,  the ways in which the arts need to be marketed and sold need to change accordingly.  Instead of working [...]]]></description>
			<content:encoded><![CDATA[<p>Many arts organisations and artists have been grant funded to work with vulnerable groups.  As social care and health budgets change to personal budgets where the individual decides where and what to spend their money on,  the ways in which the arts need to be marketed and sold need to change accordingly.  Instead of working with an arranged group, each person has to be individually marketed to, sold the merits of participation and pay from their budgets for their attendance.</p>
<p>Last week someone described this as changing from wholesale (selling to the council/ NHS trust) to retail (selling directly to the customer.) This is a huge step change for participatory arts, although it is the model used by venue based companies. (And it will be interesting to see how many of these enter the personal budget market. )</p>
<p>At the Arts Council briefing on the new Creative People and Places yesterday, a similar distinction was made between the NPO investment to the supply side (the arts organisations) and the Creative People and Places  investment to the demand side (residents  in the areas of low engagement).</p>
<p>The most challenging – and interesting- problem is always to identify the people who don’t use your service then devise ways of finding out why they don’t, before you can start addressing those reasons and getting them involved.</p>
<p>This may well be the biggest challenge facing any of the consortia formed to bid for the funding, and it will be fascinating to see the ways in which different combinations of experience, scale and partnership working  rise to the challenge.</p>
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		<item>
		<title>Blogosfear</title>
		<link>http://www.eventus.org.uk/2012/02/blogosfear/</link>
		<comments>http://www.eventus.org.uk/2012/02/blogosfear/#comments</comments>
		<pubDate>Tue, 21 Feb 2012 10:42:23 +0000</pubDate>
		<dc:creator>Clare</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=1048</guid>
		<description><![CDATA[So, we launched the new site last October, set up a blog spot, I started writing loads of  blogposts  and… never posted them. Why? Fear.  Of what, I’m not sure. That committing my thoughts to print was too permanent, that as I so often seem to be trying to figure things out for myself I [...]]]></description>
			<content:encoded><![CDATA[<p>So, we launched the new site last October, set up a blog spot, I started writing loads of  blogposts  and… never posted them. Why? Fear.  Of what, I’m not sure. That committing my thoughts to print was too permanent, that as I so often seem to be trying to figure things out for myself I wouldn’t come to any conclusions that warranted sharing with others,  that I was laying myself open to attack (too much procrastination time spent reading the rants of comments on BBC and Guardian sites)?  Maybe all of the above.</p>
<p>I enjoy my sporadic Twitter stream and am often intrigued by the retweets and the people who’ve retweeted them, as well as the followers who appear after a tweet on a particular subject. And although I’m occasionally frustrated by its impermanence – losing a link because by the time I get around to following it up the original tweet has disappeared- I like the transience.  It seems to fit the times we live in.</p>
<p>But, it’s time to hold my nose and jump.</p>
<p>The context in which the arts operate is changing so rapidly, especially for those of us who work mostly with non-arts partners. It feels right to be trying to capture that change and challenge, even if we can’t quite see where we’re going.</p>
<p>So from now on I’ll be blogging regularly and hope that there will be times when others want to join in that conversation.</p>
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		<item>
		<title>Strategic Commissioning:  What Arts Organisations  &amp; Artists Need to Know</title>
		<link>http://www.eventus.org.uk/2012/01/strategic-commissioning-what-arts-organisations-artists-need-to-know/</link>
		<comments>http://www.eventus.org.uk/2012/01/strategic-commissioning-what-arts-organisations-artists-need-to-know/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 08:25:02 +0000</pubDate>
		<dc:creator>Clare</dc:creator>
				<category><![CDATA[Strategic Commissioning]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=1025</guid>
		<description><![CDATA[New online resources The way councils and public sector bodies work with arts and other organisations is changing. Grant funding for projects is being replaced by commissioning and personal budgets. Eventus have produced an online guide for artists on how to understand and work with strategic commissioning http://www.eventus.org.uk/strategic-commissioning The guide ‘Strategic Commissioning: What Arts Organisations [...]]]></description>
			<content:encoded><![CDATA[<p>New online resources</p>
<p>The way councils and public sector bodies work with arts and other organisations is changing. Grant funding for projects is being replaced by commissioning and personal budgets.</p>
<p>Eventus have produced an online guide for artists on how to understand and work with strategic commissioning <a href="http://www.eventus.org.uk/strategic-commissioning">http://www.eventus.org.uk/strategic-commissioning</a></p>
<p>The guide ‘Strategic Commissioning: What Arts Organisations &amp; Artists Need to Know’ takes artists through the policy context, signposts them to resources and has examples of good practice.</p>
<p>It was produced with funding from Arts Council England as part of a Research and Development project. Other outcomes include ‘A speedy introduction to strategic commissioning’ presentation so that viewers can decide whether they want to proceed further. Documents on market development and consortium working are also available on the site.</p>
<p>Arts Council England Yorkshire have taken the national lead on this work. They have commissioned Eventus to develop a series of training sessions for arts organisations which will be advertised shortly. Eventus are also researching case studies for the national Arts Council England website.</p>
<p><strong><br />
</strong></p>
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		<item>
		<title>Self-Directed Support: Training for Sheffield based artists &amp; arts organisations</title>
		<link>http://www.eventus.org.uk/2012/01/self-directed-support-training-for-sheffield-based-artists-arts-organisations/</link>
		<comments>http://www.eventus.org.uk/2012/01/self-directed-support-training-for-sheffield-based-artists-arts-organisations/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 14:57:38 +0000</pubDate>
		<dc:creator>Janet</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Strategic Commissioning]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=1009</guid>
		<description><![CDATA[Wednesday 25th January 2012  3.00pm – 5.00pm Sorby House, Spital Hill, Sheffield S4 7LG Jointly organised by Sheffield Council Adult Social Care and Eventus Self-Directed Support (sometimes called personalisation) gives people in receipt of adult social care power to buy the services they want, rather than those centrally provided. There are opportunities for artists to [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Wednesday 25<sup>th</sup> January 2012  3.00pm – 5.00pm</strong></p>
<p><strong>Sorby House, Spital Hill, Sheffield S4 7LG </strong></p>
<p>Jointly organised by Sheffield Council Adult Social Care and Eventus</p>
<p>Self-Directed Support (sometimes called personalisation) gives people in receipt of adult social care power to buy the services they want, rather than those centrally provided.</p>
<p>There are opportunities for artists to develop &amp; market services for people with SDS budgets, particularly for those with experience of arts work with vulnerable people, although you may need to develop different ways of working and marketing from grant funded projects.</p>
<p>There are currently several hundred people in Sheffield receiving SDS and this eventually this will become several thousand.</p>
<p>Arts Council England sees arts involvement in SDS as part of ‘Great Art for Everyone’</p>
<p>The workshop will look at:</p>
<ul>
<li>Why you should get involved.</li>
<li>What is it?</li>
<li>Market development support.</li>
</ul>
<p><strong>To apply: Please e mail <a href="mailto:janet@eventus.org.uk">janet@eventus.org.uk</a> giving your name, contact details and whether you are applying as an individual or on behalf of an organisation (if the latter, please provide the organisation name)</strong></p>
<p>Places are for Sheffield based artist or organisation</p>
<p>Individual artists are very welcome</p>
<p>Places are very limited so only 1 person per organisation on a first come first served basis. (There will be regional events for arts organisations in February &amp; March)</p>
<p>RSVP by Friday 20 January to <a href="mailto:janet@eventus.org.uk">janet@eventus.org.uk</a></p>
<p>&nbsp;</p>
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		<item>
		<title>City’s Artistic Merits</title>
		<link>http://www.eventus.org.uk/2012/01/citys-artistic-merits/</link>
		<comments>http://www.eventus.org.uk/2012/01/citys-artistic-merits/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 12:35:05 +0000</pubDate>
		<dc:creator>Janet</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=1004</guid>
		<description><![CDATA[Sheffield Telegraph’s popular My Favourite Things page recently featured Director Clare McManus http://www.sheffieldtelegraph.co.uk/lifestyle/city_s_artistic_merits_1_4115804 City centre locations often feature strongly on the page, so it was a pleasure to be able to highlight some of the great community based creative and regeneration initiatives that are or have been taking place in Sheffield neighbourhoods. And despite being [...]]]></description>
			<content:encoded><![CDATA[<p>Sheffield Telegraph’s popular My Favourite Things page recently featured Director Clare McManus</p>
<p><a href="http://www.sheffieldtelegraph.co.uk/lifestyle/city_s_artistic_merits_1_4115804">http://www.sheffieldtelegraph.co.uk/lifestyle/city_s_artistic_merits_1_4115804</a></p>
<p>City centre locations often feature strongly on the page, so it was a pleasure to be able to highlight some of the great community based creative and regeneration initiatives that are or have been taking place in Sheffield neighbourhoods.</p>
<p>And despite being given a strict limit of only one mention of a place outside the city, Clare was able to sneak in lots of mentions for arts and food places gathered together in one place on the Welbeck Estate near Worksop.</p>
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		<item>
		<title>Broadacres Housing &#8211; Creative Engagement post</title>
		<link>http://www.eventus.org.uk/2011/11/broadacres-housing-creative-engagement-post/</link>
		<comments>http://www.eventus.org.uk/2011/11/broadacres-housing-creative-engagement-post/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 16:56:35 +0000</pubDate>
		<dc:creator>Clare</dc:creator>
				<category><![CDATA[Broadacres Housing]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=841</guid>
		<description><![CDATA[The Grants for Arts funding awarded to Broadacres Housing has enabled them  to create a 2 year p/t creative engagement post. The post is based on the recommendations of our Art in Delivery report.]]></description>
			<content:encoded><![CDATA[<p>The Grants for Arts funding awarded to Broadacres Housing has enabled them  to create a 2 year p/t creative engagement post.</p>
<p>The post is based on the recommendations of our Art in Delivery report.</p>
<p>Broadacres are really committed to working with their residents and communities in N Yorkshire and have carried out a number of arts projects from their own resources. This post will enable them to consolidate and develop their work.</p>
<p>For job description and application details see    <a href="http://www.artsjobs.org.uk/arts-job/post/creative-engagement-facilitator/">http://www.artsjobs.org.uk/arts-job/post/creative-engagement-facilitator/</a></p>
<p>Closing date 12 December.</p>
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		<item>
		<title>Strategic Commissioning &amp; the Arts: Next Steps</title>
		<link>http://www.eventus.org.uk/2011/11/strategic-commissioning-the-arts-next-steps/</link>
		<comments>http://www.eventus.org.uk/2011/11/strategic-commissioning-the-arts-next-steps/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 16:12:01 +0000</pubDate>
		<dc:creator>Clare</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Strategic Commissioning]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=837</guid>
		<description><![CDATA[Strategic commissioning describes the way services are purchased by local authorities, NHS and other public sector agencies. In a national context of moving away from funding and towards commissioning, we have been working with  Arts Council England Yorkshire to make sure that quality artists and arts organisations benefit from these changes. The R&#38;D we’ve been [...]]]></description>
			<content:encoded><![CDATA[<p>Strategic commissioning describes the way services are purchased by local authorities, NHS and other public sector agencies. In a national context of moving away from funding and towards commissioning, we have been working with  Arts Council England Yorkshire to make sure that quality artists and arts organisations benefit from these changes.</p>
<p>The R&amp;D we’ve been carrying out will result in user friendly documents and resources signposting artists to how to get involved appearing on our  website before Christmas.</p>
<p>As a result of this and other work by ACE Yorkshire officers, ACE nationally will be looking at resources to support artists and arts organisations.</p>
<p>The next steps will include:</p>
<ul>
<li>briefings for regional planning staff, so they are aware of the issues and can support artists and arts organisations;</li>
<li>3 regional workshops in the NW, NE and Yorkshire for arts organisations</li>
<li>an updated area on the Arts Council’s website with new case studies.</li>
</ul>
<p>Eventus will continue our R &amp; D work, ensuring that the arts have ‘a place at the table’ in Sheffield.</p>
<p>Information on all the above will be posted on our website</p>
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		<title>Clare performs at the Crucible!</title>
		<link>http://www.eventus.org.uk/2011/11/clare-performs-at-the-crucible/</link>
		<comments>http://www.eventus.org.uk/2011/11/clare-performs-at-the-crucible/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 14:57:06 +0000</pubDate>
		<dc:creator>Janet</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=825</guid>
		<description><![CDATA[Director Clare McManus has been swapping roles and engaging in someone else’s project as a member of the Crucible’s Sheffield Peoples Theatre’s opening production of ‘Lives in Art’. The 50+ cast is a wonderfully talented and diverse group of local people working with a cracking team of professionals. Just imagine if  The Crucible had opened [...]]]></description>
			<content:encoded><![CDATA[<p>Director Clare McManus has been swapping roles and engaging in someone else’s project as a member of the Crucible’s Sheffield Peoples Theatre’s opening production of ‘Lives in Art’. The 50+ cast is a wonderfully talented and diverse group of local people working with a cracking team of professionals. Just imagine if  The Crucible had opened and closed on its opening night leaving Sheffield without a theatre for forty years….</p>
]]></content:encoded>
			<wfw:commentRss>http://www.eventus.org.uk/2011/11/clare-performs-at-the-crucible/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Look at Me! Women &amp; Ageing</title>
		<link>http://www.eventus.org.uk/2011/11/look-at-me-women-ageing/</link>
		<comments>http://www.eventus.org.uk/2011/11/look-at-me-women-ageing/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 14:23:55 +0000</pubDate>
		<dc:creator>Janet</dc:creator>
				<category><![CDATA[Look at Me!]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=822</guid>
		<description><![CDATA[The research for the exhibitions- at The Workstation, Jessop West and shop windows on the Moor- showed that when asked if they wanted to see more positive images of older women in public places, 88.3% of respondents said ‘yes’, 9.5% of answered ‘no’ 2.7% respondents answered ‘maybe’. 50.2% of visitors – male and female, said [...]]]></description>
			<content:encoded><![CDATA[<p>The research for the exhibitions- at The Workstation, Jessop West and shop windows on the Moor- showed that when asked if they wanted to see more positive images of older women in public places, 88.3% of respondents said ‘yes’, 9.5% of answered ‘no’ 2.7% respondents answered ‘maybe’.</p>
<p>50.2% of visitors – male and female, said that the exhibition <em>had</em> made them feel differently about older women.</p>
<p><em>“The warmth, humour, honesty and love of life the women have was truly inspiring.  Wonderful.  MORE, MORE, MORE!”</em></p>
<p>The delivery side of project has now ended but dissemination continues to 2013.  A small primary schools project using the images is being carried out by the University of Sheffield and project partners are exploring further funding opportunities to extend the work to include different groups.</p>
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		<title>Arts4Work Training</title>
		<link>http://www.eventus.org.uk/2011/11/arts4work-training/</link>
		<comments>http://www.eventus.org.uk/2011/11/arts4work-training/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 13:00:54 +0000</pubDate>
		<dc:creator>Janet</dc:creator>
				<category><![CDATA[Arts4Work]]></category>

		<guid isPermaLink="false">http://www.eventus.org.uk/?p=818</guid>
		<description><![CDATA[We’re already receiving repeat booking for our Arts4Work programmes www.arts4work.org.uk  and are excited to be working with such a talented group of artists. The programme enables us to continue to use the talents of experienced, quality artists in a new context. A4W artist Matt Black has been pulling on his wellies in his new role [...]]]></description>
			<content:encoded><![CDATA[<p>We’re already receiving repeat booking for our Arts4Work programmes <a href="http://www.arts4work.org.uk/">www.arts4work.org.uk</a>  and are excited to be working with such a talented group of artists. The programme enables us to continue to use the talents of experienced, quality artists in a new context. A4W artist Matt Black has been pulling on his wellies in his new role as Derbyshire Poet Laureate, and photographer Richard Hanson’s recent powerful Workstation exhibition ‘Haiti: beyond the rubble’ was featured in The Guardian.</p>
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